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The interrogation protocols of secret non-catholics from Pelhřimov region
DIEPOLDOVÁ, Zuzana
This bachelor thesis is a selective edition attempt which deals with the problematic of specific secret non-catholic's interrogation protocols from Pelhřimov region at time before the tolerance patent was released in 1781. Therefore, the preserved book Liber actorum pravitatis haereticae from Nová Cerekev's parish and the archive's fund Archiv města Pelhřimova which are located in the Státní okresní archiv Pelhřimov, were used. The first chapter is devoted to general characteristics of secret non-catholics and their position during defined period of time. Reports from ego-documents that belong to persons who respond to given problematic from Pelhřimov region are located in this part of the thesis too. As well, there is dealt with the Pelhřimov's municipality and the Pelhřimov's court which had competence to give judgments to non-catholics. Also the interesting relationship between non-catholics and books is mentioned there. In the second chapter, there is reserved space for the closer research of the interrogation protocols as a historical source and his history and diplomatic analysis which examines specific edited protocols as an official document. Besides the list of used sources and literature, in the same chapter is also attached an alphabetical list of books that were mentioned in edited protocols and were completed with short descriptions, if it was possible to find them in the database of Národní knihovna ČR. The attachment contains the editor's note, the text of concrete edited interrogation protocols, and the profile of persons who were interrogated and also index of names and places and at the end includes pictures.
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The Land Registry of the Jewish Houses in Týn nad Vltavou from 1680 until 1750
HRBKOVÁ, Kristýna
The main topic of this theses is the land registry of the Jewish houses in Týn nad Vltavou from 1680 until 1750. The first chapter focuses on the general problematics of Jewish inhabitants in the Czech lands up to the 18th century. Follows a brief history of the Jews and their coexistence with the Christian population in the domain of Týn nad Vltavou. Part of this theses is a chapter focusing on land books and their part during historical research. The most important part of the whole theses is an analysis of the researched land book coupled with a concise list of Jewish houses it contains. Entry about each house includes: who owned it, how much they paid for it and what lands they added to the house. The chapter is ended with a brief outline of the domain administration and the town itself at the turn of the 17th and 18th centuries. The editorial processing of said land book is listed in the attachment.
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The Iconography of St. Francis during the 17th and the 18th Century
Drdáková, Kateřina ; Vymazalová, Marie (advisor) ; Oulíková, Petra (referee)
The diploma thesis deals with the iconography of selected works of St. Francis in the 17th and 18th centuries in Bohemia. The work is focused mainly on the paintings that were created and were associated with the development of begging orders during the Reformation of the Church. The first part is devoted to the life and legend of St. Francis, which is the basis for the subsequent processing of individual images. An integral part of the work is also the topic of the origin and development of the begging orders that caused the depiction of St. Francis. Specifically, Franciscans, Minorites and Capuchins. An important chapter is also the piety of the Czech lands in the Baroque period, which demonstrates the revival of the veneration of St. Francis during the 17th and 18th centuries in Bohemia. All the above-mentioned parts provide the basis for the following chapters on specific illustrations. The iconography of the individual scenes is first described in a general depiction, including the world's most important examples. A large part of the work is devoted to individual works associated with the Czech environment. The most represented depictions are Stigmatization of St. Francis, Ecstasy, The Porciunculus Miracle or his Death. Last but not least, the work will focus on the monastery lunette cycles...
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F. X. Brixi's Oratorium pro die sacro parasceves
Labudová, Jana ; Niubo, Marc (advisor) ; Slavický, Tomáš (referee)
The thesis deals with the musical and stylistic analysis of the F. X. Brixi's oratorio Judas Iscariothes, that was preserved in the Osek Monastery under the name Oratorio pro die sacro parasceves. The first part of the thesis describes the musical history, preserved music sources and inventories of Osek. The next section deals with the oratorio in Osek. The main point of this chapter is to inventory oratorio productions performed in Osek during the 18th and early 19th century. The key part of the thesis is the musical and style analysis of the oratorio Judas Iscariothes. Appendix contains the edition of this oratorio.
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Theater by Stefan Hulfeld
Kunčarová, Helena ; Pšenička, Martin (advisor) ; Sarkissian, Alena (referee)
This diploma thesis explores the concept of theatricality as developed by the Swiss theatrologist Stefan Hulfeld. The thesis aims at a presentation of Hulfeld's research which is based on examination of historical documents, his particular focus being the theatricality of the 18. century in Solothurn (Switzerland). In this thesis, his theory is compared to other theatricality theories developed by Rudolf Münz and Andreas Kotte. The more general aim of the presented work is to devise a notion of theatricality which is based on historical- theatrological exploration of historical documents.
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The Sacred Works of Domenico Sarri in Bohemia
Čermáková, Eva ; Niubo, Marc (advisor) ; Kapsa, Václav (referee)
The diploma thesis contributes to study of the Italian and Czech origins of the sacred music by Neapolitan composers from the first third of the 18th century. The first chapters of the thesis concentrate on classification of manuscripts with music by the Neapolitan composer Domenico Sarri (1678-1744) whose many works have been preserved in Czech music archives. Though Sarri demonstrably was a significant representative of the Neapolitan music production of his time, his work has not yet been adequately explored. This thesis therefore also includes a complete reconstruction of Sarri's psalm Dixit Dominus F major. In the last part of the thesis, this piece is analyzed and compared within the selection of few works by Sarri and his contemporaries with the aim to specify some of the general and individual aspects of Sarri's musical thinking.
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